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propositions

Propositions are a group of paintings and works for common presentation, viewing and choreographed performances by myself and others for documentation.  They are meant to be touched and interacted with intimately and at times absurdly.  The performances are actions attached to the paintings that become new photographic and moving images.  Some of these performances are more literal to the actual compositions prefacing them, whereas others extend further out through written narratives and story lines for future acts and play.  Maybe they become post-ers as things that come after-wards.  As propositions the works propose the repurposing of activities, mediums and motifs inherent to my practice and reaching back to high school and undergraduate works, multi-disciplined and recreational activities and my overall artistic education in general.  Things have come to a head.  Here there is an orchestration of all of these things working together periodically and returning to their original functions and contexts typically.  They work in shifts. Take naps.  Sometimes they retire, are replaced by other’s motifs or were other’s language to begin with.  We’re taught to appropriate from birth.  What is the mirror stage?  There’s a repurposed drywall painting based on architectural sites named after another artist for other artists to exhibit.  The drywall has been painted over memorial-ly by its own past.  The drywall has a new life. Individuals are still needed though for viewership, performance and other still unknown activities.  There are the unknown architectural propositions for hands, eyes and bodies.  Maybe they’ll be built someday or already have been.  Blueprints are funny that way.  There’s a working studio with drafts for and from the overall practice, a visual and objective diary. An archive of sitting things- put away for who, what? The curator, collector, the gallerist, the friend, or even my future estate. More importantly is its display wherever it sits or stands.  It’s all part of the artistic fantasy, story and plot.  There’s also a bedroom that is not art and more literal as I sleep there.  Overall, the presentation situates itself within the domestic, creative and exhibitional contexts of living.

January 2013

Promotional Image  w/ Contour Study 1, Chinese Calligraphy Ink on Canvas, Digital Photograph, 2012

Proposition 1 for Performances, A Place for My Head, A Place for Your Head, A Place for Heads, Digital Photograph, 2012

Proposition 1 for Performances, A Place for My Left Hand,  A Place for Your Left Hand, A Place for Left Hands, Digital Photograph, 2012

Proposition 1 for Performances, A Place for My Right Hand,  A Place for Your Right Hand, A Place for Right Hands, Digital Photograph, 2012

Proposition 1 for Performances, A Place for My Hands, A Place for Your Hands, A Place for Hands, Digital Photograph, 2012

Proposition 1 for Performances, A Place for My Right Foot,  A Place for Your Right Foot,  A Place for Right Feet, Digital Photograph, 2012

Proposition 1 for Performances and Documentation, A Place for My Left Foot, A Place for Your Left Foot, A Place for Left Feet, Digital Photograph, 2012

Studio Exhibition View 1 for New Context, Digital Photograph, 2012

1842 Glendale Blvd. Los Angeles, Ca/ Architectural Memory Study as Abstract Composition 1, water based paint, chinese calligraphy ink and pigment on repurposed drywall from Dan Graham Venue 1 (relevant as title refers to location), 94 1/2 inches x 85 inches, 2012 

Abstract View with Companions 1-15 (count) with 14 in Safe Box (kind of), A memory study on De Kooning and abstraction (both relevant) based on undergraduate assignments and destroyed paintings (w/out knowledge),latex paint on archival rag board on frame, charcoal and latex and chinese calligraphy ink on foam core and insulation board, wood, foam core, storage straps and screws, 9 feet x 90 inches comprised of 9 panels, 2002-2012, (project to be continued in a non literal way with female performer)

A Proposition for a Post- Impressionist Based Play with 4 Women, a Vampire and 1 Man named Ring Cull, altered found table, painted wood frame, candles (to be lit and replaced), candle holders, n New York Times clipping, Better Homes clippings, web print out of Kiefer Sutherland (Lost Boy), jig cut outs and oval canvas cutouts (lilly pads), 64 3/4 inches x 25 inches, 2012

Working Table/ Under the Influence, mixed materials, beer cans, paint cups, pencils, razor, kid’s drawing, kid portrait, Quarter necklace, Donald Judd postcard and web print outs (Charles Ray, Klimnt, Mondrian), (relevant resource materials), variable dimensions, Sculpture-Digital Photograph, 2012

Storage Archive (200 plus works) for the Curator, Collector, Artist, Dealer or Estate, 2008-2012, various works on paper, paintings, sculpture and edition works, Interactive Sculpture-Digital Photograph, 2012

Handy Work, Orange, Beige, Purple, Grey, Green and Blue Grey Composition Framed, chinese calligraphy ink and pigment, water based paint, soap, joint compound and wood scrap on repurposed storage crate wood given to me by Benjamin Love (relevant material contribution), (Previous crate’s artwork by Chris Burden, not relevant), 34 inches x 63 inches, 2012

Hand Detail

Hand Detail

Back Studio Exhibition View for New Context, Digital Photograph, 2012

Unknown Architecture for Someone’s Eyes and Hands 1 and 2 (with approx. 8 paintings underneath for future scanning), water based paint and chinese calligraphy ink and pigments, lattice scraps, square dowels on repurposed storage crate wood given to me by Dennis  Hollingsworth (relevant as his contribution of his own crates started crate materials being used in practice) with lattice framing, both 50 1/4 x 58 1/2 inches, 2012

Razor and Flowers Proposition Red, Green and Grey Composition, chinese calligraphy ink and pigments, with water based paint and drywall compound on repurposed storage crate wood given to me by Benjamin Love (relevant), (crate’s previous artwork by Chris Burden, not relevant), left over shipping foam on back, 24 3/4 inches x 38 inches, 2012

Comb and Flowers Proposition Yellow, Blue, Green, White and Grey Composition, chinese caligraphy ink and pigments, with water based paint and drywall compound on repurposed storage crate wood given to me by Benjamin Love (relevant), (Crate’s previous artwork by Chris Burden, not relevant), left over shipping foam on back, 24 3/4 inches x 38 inches, 2012

Guitar Proposition for an Abstract Guitar Composition with Performer atop continued archive 0f 20 plus large painting works, (to be played and in progress-remove guitar and make more paintings), latex on repurposed trapezoid canvas given to me by Yunhee Min (relevant material contribution), acoustic guitar, hand made tom and card board floor cover with brushes, paint and cigarette butts, Interactive Sculpture for Composition Series and Digital Photographs, 2012